Live Performance Works


Choreographic thought inscribes complex systems of order onto the infinite disorder of the universe.

This tenet operates as a central driver of my live performance projects. I place the complexity of human higher-order thought in conversation with the endless potential of the human body. In doing so, my collaborators and I experience deeper sensation, emotion, or creative frontiers. We do this in service of connecting with ourselves – to more fully realize our unique humanity – and with our world – to deepen the empathy we all feel for one another.

We imagine and embody a new world.

Cece Mitchell, Madeline Mellinger, and Lindsey Jennings in Back Quarter Time Turn (2024 Version) Courtesy of The Movement Project (Cleveland, OH) Photo by Black Valve Media

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